Auto Show Dispatch | Online Only | n+1 | Mark Krotov
The US’s biggest infrastructure project—bigger than the New Deal–era dams and the Erie Canal—was the highway system, which destroyed the American city and, arguably but I think not that arguably, American society itself. The country’s midcentury racist spatial self-destruction is a crime that will never be sufficiently atoned for. Whenever a child walking along a four-lane exurban road is killed by a driver who swerves into the shoulder, whenever someone is simply able to drive 98 miles per hour in a 55 zone, whenever a family of seven in an ostensibly safe minivan is killed despite the self-evident technological ability to limit speeds, redesign roads, and enforce existing regulations, it seems reasonable to infer that what car culture is really about aren’t sexy concept cars or futuristic taillights. What car culture is really about is death.
