Women in the enter­tain­ment busi­ness who have tak­en a stand against racism and state vio­lence and oppres­sion have often found their careers

What Happened Hazel Scott? Meet the Brilliant Jazz Musician & Activist Who Disappeared into Obscurity When She Was Blacklisted During the McCarthy Era

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2025-01-01 00:30:01

Women in the enter­tain­ment busi­ness who have tak­en a stand against racism and state vio­lence and oppres­sion have often found their careers ruined as a result, their albums and per­for­mances boy­cotted, oppor­tu­ni­ties rescind­ed. This, accord­ing to Nina Simone, is what hap­pened to her after she began her fight for Civ­il Rights with the fero­cious “Mis­sis­sip­pi God­dam.” She con­tin­ued per­form­ing in Europe until the 1990s, but her cul­tur­al stock in her own coun­try declined after the 60s. She was large­ly unknown to younger gen­er­a­tions until Lau­ryn Hill and lat­er hip hop artists turned her music into a “secret weapon.”

Maybe the music of Hazel Scott will enjoy a sim­i­lar revival now that her name has been returned to pop­u­lar con­scious­ness by Ali­cia Keys, who paid trib­ute to Scott at last year’s Gram­mys. Once the biggest star in jazz, Scott’s career was destroyed by the House Un-Amer­i­can Activ­i­ties Com­mit­tee (HUAC) in the 1950s when a pub­li­ca­tion called Red Chan­nels accused her of Com­mu­nist sym­pa­thies. Black­list­ed, she moved to Paris and per­formed exclu­sive­ly in Europe until the mid-six­ties. As with many an artist who suf­fered this fate dur­ing the Cold War, Scott stood accused of anti-Amer­i­can­ism not for any actu­al sup­port of the Sovi­ets but because she chal­lenged racial seg­re­ga­tion and dis­crim­i­na­tion at home.

Born in Trinidad and raised by her moth­er in New York City, like Simone, Scott was a clas­si­cal­ly trained child prodi­gy (see her play jazz-infused Liszt for World War II sol­diers in the video below), whose ear­ly, some­times vio­lent, expe­ri­ences with racism left last­ing scars. She audi­tioned for Jul­liard at age 8. “When she fin­ished,” writes Loris­sa Rine­heart at Nar­ra­tive­ly, “the audi­tions direc­tor whis­pered, ‘I am in the pres­ence of a genius.” Jul­liard founder Frank Dam­rosch agreed, and she was admit­ted.

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