The Pentium as a Navajo weaving
Hurrying through the National Gallery of Art five minutes before closing, I passed a Navajo weaving with a complex abstract pattern. Suddenly, I realized the pattern was strangely familiar, so I stopped and looked closely. The design turned out to be an image of Intel's Pentium chip, the start of the long-lived Pentium family.1 The weaver, Marilou Schultz, created the artwork in 1994 using traditional materials and techniques. The rug was commissioned by Intel as a gift to AISES (American Indian Science & Engineering Society) and is currently part of an art exhibition—Woven Histories: Textiles and Modern Abstraction—focusing on the intersection between abstract art and woven textiles.
I talked with Marilou Schultz, a Navajo/Diné weaver and math teacher, to learn more about the artwork. Schultz learned weaving as a child—part of four generations of weavers—carding the wool, spinning it into yarn, and then weaving it. For the Intel project, she worked from a photograph of the die, marking it into 64 sections along each side so the die pattern could be accurately transferred to the weaving. Schultz used the "raised outline" technique, which gives a three-dimensional effect along borders. One of the interesting characteristics of the Pentium from the weaving perspective is its lack of symmetry, unlike traditional rugs. The Pentium weaving was colored with traditional plant dyes; the cream regions are the natural color of the wool from the long-horned Navajo-Churro sheep.2 The yarn in the weaving is a bit finer than the yarn typically used for knitting. Weaving was a slow process, with a day's work extending the rug by 1" to 1.5".
The Pentium die photo below shows the patterns and structures on the surface of the fingernail-sized silicon die, over three million tiny transistors. The weaving is a remarkably accurate representation of the die, reproducing the processor's complex designs. However, I noticed that the weaving was a mirror image of the physical Pentium die; I had to flip the rug image below to make them match. I asked Ms. Schultz if this was an artistic decision and she explained that she wove the rug to match the photograph. There is no specific front or back to a Navajo weaving because the design is similar on both sides,3 so the gallery picked an arbitrary side to display. Unfortunately, they picked the wrong side, resulting in a backward die image. This probably bothers nobody but me, but I hope the gallery will correct this in future exhibits. For the remainder of this article, I will mirror the rug to match the physical die.
