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The Rock & Roll Hall of Fame Should Not Exist

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2025-01-05 01:00:06

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

On New Year’s Day, while looking for something to watch, I came across a channel with a loud, gray-haired British guy in a nice suit and a scarf bellowing about something or other. I assumed that I had turned to CNN and was watching its ebullient, occasionally shouty business and aviation correspondent, Richard Quest. I wasn’t even close: It was Roger Daltrey of the Who, and he was excitedly introducing the new Rock & Roll Hall of Fame inductee Peter Frampton in a condensed version of the October ceremony.

Frampton’s music was, for a moment in the 1970s, the soundtrack to my misspent teenage nights; on the broadcast, Keith Urban joined him to perform his megahit “Do You Feel Like We Do,” and I remembered every word. And Frampton seems like a man who is genuinely loved by his peers. It was a nice moment. But when 80-year-old Daltrey—who, at 21, famously sang, “Hope I die before I get old”—is introducing a man whose biggest hits were produced nearly 50 years ago, it’s a reminder that the entire Rock & Roll Hall of Fame concept is utterly wrongheaded.

As the saying goes, good writers borrow, and great writers steal. I was once a professor, however, and professors give attribution, so let me rely on John Strausbaugh, who wrote a wonderful 2001 jeremiad against Boomer music nostalgia, Rock ’Til You Drop, to explain why the Rock & Roll Hall of Fame shouldn’t exist: Because it’s “as true to the spirit of rock’n’roll as a Hard Rock Cafe—one in which there are way too many children and you can’t get a drink.”

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