I n 1960, Oliver Sacks, a 27-year-old University of Oxford graduate, arrived in San Francisco by Greyhound bus. Born in Cricklewood, London, Sacks spe

Letters by Oliver Sacks review – science, sex and motorcycles

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2024-10-28 05:30:04

I n 1960, Oliver Sacks, a 27-year-old University of Oxford graduate, arrived in San Francisco by Greyhound bus. Born in Cricklewood, London, Sacks spent the better part of his 20s training to be a doctor, but came to feel that English academic medicine was stifling and stratified. A “tight and tedious” professional ladder, he thought, was the only one available to aspiring neurologists like him.

A young queer man with a growing interest in motorcycle leather, Sacks had other reasons to leave. The revelation of his sexuality had caused a family rift: his mother felt it made him an “abomination”. And so he looked for escape across the Atlantic. America, for him, was the wide open west of Ansel Adams photographs; California was Steinbeck’s Cannery Row. The new world promised “space, freedom, interstices in which I could live and work”. This is how we meet Oliver Sacks in Letters: as an immigrant undertaking an internship at Mount Zion hospital, the first step in a career on US soil that would span another five decades.

Sacks’s San Francisco years also marked the beginning of his life as a writer. The city wasn’t an arbitrary choice. As he eagerly confessed to a one-time lover, Jenö Vincze, his true motivation for travelling to California was to force a meeting with an artistic idol, the British-turned-Haight Ashbury poet, Thom Gunn. Gunn’s The Sense of Movement (1957) spoke to and stirred Sacks’s predilection for motorbikes. Moreover, it performed on Sacks the kind of private miracle only poetry can: it helped decode “the babble” of his emotional life. “There is a queer, colossally big London Jew called Wolf,” Gunn wrote to his partner in 1961, after first meeting Sacks (who used his middle name, Wolf, as a nom de guerre when frequenting the city’s gay bars, wise to its lycanthropic resonances). “[He] came out to be a doctor here because I live here.” Sacks shared his writing with Gunn, whom he found a ruthless but tender critic, later crediting the poet with first impressing on him that he had real literary talent; a pivotal moment for a man who would go on to publish a dozen books.