Unsolved Mysteries: Quantum Leap’s Don Bellisario on the fate of Sam Beckett

We were lucky enough to snag some time with legendary TV producer Donald P. Bellisario, whose name has graced the closing credits of some of the most influential and popular TV shows of the '80s and '90s—including Airwolf, Magnum, P.I., and of course Quantum Leap. Though he's now retired, Bellisario gamely agreed to allow an Ars film crew—with props!—into his California home to badger him with occasionally obscure questions about what is easily the best time-travel show ever to grace television.

This was a special episode to film, if for no other reason than that Quantum Leap was a special show. Today it feels like a relic from another age—an age in which story serialization was the exception rather than the rule, where twenty-two episodes per season represented the expected minimum, and where commercial breaks were a bit less frequent. (The first-season episodes of Quantum Leap clock in at almost forty-eight minutes—that's about six minutes longer than most hour-long dramas on network TV today!) Quantum Leap's 97 episodes originally aired from 1989 to 1993, and the show was a huge part of my junior high and early high school experience—though the parts of the show I wanted to see most were those rare glimpses into "the future," the show's infrequently glimpsed vision of 1999 where Project Quantum Leap was taking place.

And what a future it was—a future of neon and blinking lights, of cool blue lightning arcing across colored plastic, of '90s retro-future fashion sense run amok, all overseen by an intelligent and somewhat snippy artificial intelligence named Ziggy. The time travel stories of the week were cool, but the overarching narrative about Project Quantum Leap is what really hooked me—would Sam ever return home?

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